[27] The filmmaker noted as well that, "with a character this complicated, you're going to have a very polarized reaction". The demanding running time forces comparison to such rare works as Lawrence of Arabia, Reds and other biohistorical epics. Once Che made the decision to engage, he engaged fully. Guevara's experience in Cuba and especially Bolivia was not a series of events and anecdotes, but a trial of endurance that might almost be called mad". Numeroase lupte au loc în timpul verii iar la 1 august C.I.A. Lipsit de sprijinul localnicilor, înconjurat de niște novici, la 8 octombrie 1967, grupul lui Che este capturat. He tries to recruit some peasants only to be mistaken for a cocaine smuggler, and the Bolivian Communist Party, led by Mario Monje, refuse to support the armed struggle. Soderbergh told his production designer Antxon Gomez that the first part would have green with a lot of yellow in it and the second part would have green with a lot of blue in it. Che s-a predat după ce a fost rănit la picior iar pușca deteriorată de un glonț. Its excessive length and rambling scenes also make it maddening. Atunci m-am retras către ușă , am închis ochii și am tras o primă rafală. The website's critical consensus states, "Though lengthy and at times plodding, Soderbergh's vision and Benicio Del Toro's understated performance ensure that Che always fascinates. I loved that we shot a period film about a type of war that can't be fought anymore". [22] Soderbergh wanted the film's two parts to mimic the voice of the two diaries they were based on; the Cuban diaries were written after the fact and, according to the director, "with a certain hindsight and perspective and a tone that comes from being victorious", while the Bolivian diaries were "contemporaneous, and they're very isolated and have no perspective, at all. Spain's Telecinco/Moreno Films supplied the rest of the budget. Lansează faimosul îndemn antiamerican: „Să creăm noi Vietnamuri!”. Che Guevara, icoana mondială a revoluționarului perfect, "Making of a Marxist" ~ Che's Early Journals, https://ro.wikipedia.org/w/index.php?title=Che_Guevara&oldid=13431025, Mentenanță CS1: Nume multiple: lista autorilor, Articole care necesită citări suplimentare, Pagini cu note flexibile de dimensiune diferită, Articole Wikipedia cu identificatori BIBSYS, Articole Wikipedia cu identificatori CINII, Articole Wikipedia cu identificatori ISNI, Articole Wikipedia cu identificatori LCCN, Articole Wikipedia cu identificatori MusicBrainz, Articole Wikipedia cu identificatori NARA, Articole Wikipedia cu identificatori RKDartists, Articole Wikipedia cu identificatori SELIBR, Articole Wikipedia cu identificatori SNAC-ID, Articole Wikipedia cu identificatori SUDOC, Articole Wikipedia cu identificatori VIAF, Articole Wikipedia cu identificatori WorldCat-VIAF, Articole Wikipedia cu informații bibliotecare, Creative Commons cu atribuire și distribuire în condiții identice. După amputarea mâinilor de către un medic militar, pentru a autentifica corpul și a păstra o probă a morții sale, oficialii bolivieni l-au îngropat într-un loc secret. Grupul își vede tăiată retragerea spre Rio Grande, ceea ce îl obligă să urce din nou spre munți, spre un mic sat, La Higuera , unde avangarda este și ea prinsă într-o ambuscadă și pierde 3 oameni, pe 26 septembrie; ceilalți 17 supraviețuitori reușesc să scape și încep să coboare spre Rio Grande. The website's critical consensus states, "The second part of Soderbergh's biopic is a dark, hypnotic and sometimes frustrating portrait of a warrior in decline, with a terrific central performance from Del Toro.". The second part begins on 3 November 1966 with Guevara arriving in Bolivia disguised as a middle-aged representative of the Organization of American States hailing from Uruguay, who subsequently drives into the mountains to meet his men. [36] It was shown at the 46th New York Film Festival[37] and was shown at the 33rd Toronto International Film Festival as Che with a 15-minute intermission and as two separate films, The Argentine and Guerrilla,[38] where it was considered the festival's "must-see" film. [46], According to Variety, it had grossed $164,142 in one weekend, at 35 locations in North America and $20 million from a half-dozen major markets around the world, led by Spain at $9.7 million. [89], Film Comment ranked Che as the 22nd-best film of 2008 in their "Best Films of 2008" poll. No dollies, no cranes, it's all either handheld or tripods. "[71] The filmmaker settled down the crowd and explained, "It doesn't matter whether I agree with him or not—I was interested in Che as a warrior, Che as a guy who had an ideology, who picked up a gun and this was the result. [76] On Metacritic, the film has a collective weighted average score of 64 out of 100, based on 24 critics, indicating "generally favorable reviews". [90] Mătușa sa, de care era foarte apropiat și care a crescut-o pe mama sa de la moartea prematură a părinților acesteia, era comunistă. I found that very interesting". În decembrie 1951 începe o călătorie prin America Latină. When questioned by the press on Guevara's ideas and use of violence, Del Toro stated that if he had lived during the 1960s, he would have agreed with Guevara, and that although he did not support violent revolution now, in the '60s he may "have been another person and in agreement with armed war". [93], Looking back at the experience of making Che, Soderbergh has said that he now wishes that he had not made the film and remarked, "Literally I'd wake up and think, 'At least I'm not doing that today. Cu puțin timp înaintea lui Che sunt executați Simeón Cuba și Juan Pablo Chang. On Day 100, there is a shortage of food and Guevara exercises discipline to resolve conflicts between his Cuban and Bolivian followers. În acel moment vedeam un Che mare, foarte mare, enorm. Upon seeing the first image on the screen (a silhouette of Cuba), the crowd erupted into a raucous cry of "¡Viva, Cuba! Cert este că C.I.A. CIA and US Army Special Forces advisers arrive to supervise anti-insurgent activity and to train the Bolivian Army. [98], On 31 July 2009, Del Toro was awarded the inaugural Tomas Gutierrez Alea prize at a Havana ceremony attended by U.S. actors Robert Duvall, James Caan and Bill Murray. [81] Sheri Linden, in her review for the Los Angeles Times, wrote, "in this flawed work of austere beauty, the logistics of war and the language of revolution give way to something greater, a struggle that may be defined by politics but can't be contained by it".